Capítulo III da Trilogia Cadela Força
Festival d'Avignon 2026 creation
Not suitable for persons under 18. Some scenes may be distressing to viewers. This performance contains strobe lighting, smoke effects, sexual activity and/or sexual violence.
An immersion in the creative act, where theatre and literature’s blurred boundaries shape the staging, and confusion becomes a writing principle. Carolina Bianchi blazes a relentless trail where writing and sexuality are inseparable.
Carolina Bianchi continues her TRILOGIA CADELA FORÇA, which she began in 2023. After presenting the consequences of rape under sedatives (Chapter I) and the inherent violence of the artistic context (Chapter II), the final chapter, UMA LUZ CORDIAL, moves beyond creation’s brutality. It delves into the writing process itself, navigating the blurred lines between theater and literature, where writing and sexuality intertwine on fiction’s foundation. This disproportionate collage of drafts, notebooks, borrowed words–from Hilda Hilst or Emily Dickinson. Bianchi exposes writing as a violent act and confront it with the enigma of her own sexuality. The author and director appears on stage as a dissolving subject, embodying writerly alter egos to explore her fantasies, especially the fantasy of writing itself.
연극과 문학의 경계가 모호해지고, 혼란 그 자체가 하나의 글쓰기 원칙이 되는 창작 행위 속으로의 몰입. 카롤리나 비앙키는 글쓰기와 성(性)이 불가분하게 얽히는 새로운 방향을 제시한다.
With Rodrigo Andreolli, Larissa Ballarotti, Carolina Bianchi, Lucas Delfino, Joana Ferraz, Flow Kountouriotis, Fernanda Libman, Amanda Lyra, Danielli Mendes, Carolina Mendonça
Concept, text, direction and set Carolina Bianchi
The text contains an excerpt of the book “O Caderno Rosa de Lori Lamby” by Hilda Hilst
Text revision Larissa Ballarotti
Translation for subtitles Marina Matheus (English), Thomas Resendes (French)
Dramaturgy and research partner Carolina Mendonça
Technical direction, sound design and music Miguel Caldas
Assistant director Murillo Basso
Scenography and graphic design Luisa Callegari
Lighting design Jo Rios
Video and screenings Montserrat Fonseca Llach
Costumes Luisa Callegari, Carolina Bianchi
Internship Thomas Médioni
Stage manager, production assistant AnaCris Medina
Production direction, tour management and communication Carla Estefan
International relations, production and distribution Metro Gestão Cultural (Brazil)
Production Metro Gestão Cultural (Brazil), Carolina Bianchi Y Cara de Cavalo
Coproduction KVS Koninklijke Vlaamse Schouwburg (Brussells), Theater Utrecht, Festival d’Avignon, Odéon–Théâtre de l'Europe (Paris), Festival d’Automne à Paris, Comédie de Genève, Biennale di Danza di Venezia, Vienna Festival (Wiener Festwochen) | Free Republic of Vienna, Holland Festival (Amsterdam), Les Célestins – Théâtre de Lyon, Divine Comedy International Theatre Festival (Krakow), Kunstenfestivaldesarts (Brussells), HAU Hebbel am Ufer (Berlin), GREC Barcelona, Teatro Nacional de Catalunya (Barcelona), Maillon, Théâtre de Strasbourg – Scène européenne
Residencies La FabricA du Festival d'Avignon, KVS Brussels, Utrecht Theatre-NL
With the support of Tax shelter van de Belgische Federale Overheid, The Ammodo Foundation (Netherlands)
Support for the 80th Festival d'Avignon Camões - Centre culturel portugais à Paris
Presented in partnership with France Médias Monde
Ammodo Art promotes and supports the development of the visual and performing arts on an international scale. It is part of the Ammodo Foundation, which supports the development of the arts, architecture and science. As part of the 2026 Avignon Festival, Ammodo Art is supporting the creation of two new productions : Maldoror by Julien Gosselin and Chapter III, Una luz cordial by Carolina Bianchi.
Cloître Saint-Louis
Duration : 1h
The 2025 archive
Opéra Grand Avignon
Duration : 2h30
