Cinematographic Territories

Cinematographic Territories of the Festival d'Avignon © DR

Cinematographic Territories

From 4 July to 25 July 2026 at the Cinemas Utopia of Avignon

The Territoires Cinématographiques create a dialogue between live theatre and cinema, in collaboration with the Utopia cinemas in Avignon. Each day, film screenings are followed by discussions where audiences have the chance to meet and engage with artists, choreographers, filmmakers, activists, critics, and journalists invited to the Festival d’Avignon. These moments represents an opportunity to expand our perspective on the themes explored on stage, to discover films from diverse cultures, and to connect with parallel events such as the Café des idées.

EXPLORE THE PROGRAMME

영화의 지평(Territoires cinématographiques)은 아비뇽 유토피아 극장(Utopia d’Avignon)과의 협력을 통해 공연 예술과 영화 사이의 생동감 넘치는 대화를 엮어내는 프로그램 입니다. 매일 영화 상영이 끝난 후에는 아비뇽 페스티벌(Festival d’Avignon)에 초청된 연극인, 안무가, 영화인, 활동가, 평론가 및 언론인들이 관객과 만나 토론하고 교류하는 시간이 이어집니다. 이 프로그램은 초청 인사들이 서로 다른 예술 분야 간, 나아가 세계와 맺고 있는 내밀한 관계를 탐색하는 장입니다. 무대 위 공연의 주제와 초청 언어의 세계, 그리고 사유의 카페(Café des idées)를 통해 제기되는 담론의 지평을 확장하는 소중한 기회가 될 것입니다.

In Resonance with the plays

From stage to screen: films that creates an echo with the Festival play's and carry their stories further.

  • Wagner Moura – actor in Un procès and winner of the Best Actor Award at the 2025 Cannes Film Festival and the 2026 Golden Globe for Best Actor for The Secret Agent by Kleber Mendonça Filho – will present his own movie Marighella, a breathtaking biopic of Carlos Marighella, a Brazilian Marxist politician, poet and activist who was assassinated by the military dictatorship in 1969.

  • Isabelle Huppert and Hyeyoung Lee – actresses in Oiseau – will present Hong Sang-soo's Claire's Camera.

  • Tiphaine Raffier will continue to explore the themes of her show L’Hors-présence through a discussion centred on Mike Flanagan’s film Life of Chuck.

  • Daria Deflorian will explore the questions raised by Che dolore terribile è l’amore through her film programme composed of Viaggio a Jeju, a short film made from footage shot during the trip to Jeju for the creation of the show by Andrea Pizzalis and Nikolai Palmieri, as well as Siamo qui per provare by Jacopo Quadri and Greta De Lazzaris.

  • Lee Jaram will present Yoon Ga-eun's The World of Love as an echo of her show Snow, snow, snow, creating a dialogue between stage and screen, between performance and image.

  • Salim Djaferi will introduce Francesco Rossi's Hand over the City, highlighting the themes of Bâtir.

  • Amir Reza Koohestani will present his movie Subtraction, as an extension of his reading of Aeschylus’ The Persians as part of LeSouffle d’Avignon.

  • In the festival’s final week, Marion Siéfert and Matthieu Bareyre will open the doors to their film club ‘In Da Bunker’: an opportunity to discover films that resonate with Bunker’s creative vision.

Focus on the invited language

Every morning at 11am, a selection of films from South Korea explores forms of resistance, social struggles, and cultural identities. Several major thematic threads emerge:

The exploration of social divides with Parasite by Bong Joon-ho and Broker (Les Bonnes étoiles) by Hirokazu Kore-eda; the family as the epicenter of tension with A Normal Family by Hur Jin-ho and Minari by Lee Isaac Chung (recommended by Jaha Koo); the critique of institutions with Memories of Murder by Bong Joon-ho (recommended by Julien Gosselin) and About Kim Sohee by July Jung; and finally, characters on the margins or in search of identity, notably in Winter in Sokcho (Hiver à Sokcho) by Koya Kamura.

This year, a series of special screenings at 9pm venture into the realms of fantasy and fear with Train to Busan (Dernier train pour Busan) by Yeon Sang-ho and Bong Joon-ho's Parasite and The Host, iconic works of South Korean genre cinema.

Cinema for young viewers

Every morning at 10:30am, screenings are specially curated for young viewers. Created as an educational and artistic extension of the Festival, these sessions invite children to discover childhood stories and cultures through the lens of the Korean language. Timeless works like Jiburo and Approved for Adoption (Couleur de peau : miel) mingle with more recent creations such as Piro Piro, Mother Land (Krisha et le Maître de la forêt), and Underdog (Nous, les chiens).