L'hors-présence

ou Chimères du pays de Morsan

  • Show
  • Theatre

Tiphaine Raffier

France / Creation Festival d’Avignon 2026 / First time in France

A family gathers to accompany one of their own through her final days. A gripping, closed-door drama that examines what the imminence of death reveals in those who remain. 

L'hors-présence ou Chimères du pays de Morsan, Tiphaine Raffier © Ian Strange

Presentation

In a house on the edge of the forest, a seriously ill young woman welcomes her family to organise her final days. Wishing to die surrounded by her loved ones, she shows them the treatments they need to give her. But once the instructions have been given, nothing goes according to plan. As her wishes grow ever more confused and unknowable, all try, in their own way, to preserve her, until the moment everything changes. Written and directed by Tiphaine Raffier, this gripping, closed-door drama leads us into the heart of a family in crisis whose members try to stay in control as death draws near. 

가족들은 그들 중 한 명의 마지막 날들을 함께하기 위해 한 자리에 모인다. 죽음의 임박함이 남겨진 이들 안에서 무엇을 이끌어내는지 집요하게 파고드는, 숨 막히는 밀실극. 

Distribution

With Emma Bolcato, Teddy Chawa, Thomas Gonzalez, Paula Luna, Édith Mérieau, Catherine Mestoussis, Thierry Paret et Adrien Rouyard 

Directed and written by Tiphaine Raffier
Dramaturgy Lucas Samain 
Assistant director Mathilde Saillant
Scenography creation Hélène Jourdan 
Lighting Kelig Le Bars 
Video Vincent Pinckaers 
Sound Hugo Hamman
Music Sylvain Jacques
Costume Caroline Tavernier assistée de Paloma Donnini 
Costume assistant Paloma Donnini 
Make-up and wigs Judith Scotto 
Stage Manager Olivier Floury
Stage Technicians Nicolas Bignan, Pierre Frenkel
Video Technician Nicolas Morgan
Camera Operator Raphaël Oriol
Sound Technician Hugo Hamman
Lighting Technician Christophe Fougou
Make-up and Wigs management Emmanuelle Flisseau
Administration, Production and Distribution Juliette Chambaud, Charlotte Pesle Beal, Elisa Seigneur-Guerrini

Production

Production La femme coupée en deux 
Co-production Le Quai CDN Angers Pays de la Loire, Théâtre Nanterre-Amandiers, Théâtre National Populaire de Villeurbanne, La Comédie de Saint-Étienne, Nouveau Théâtre Besançon CDN, La Comédie de Clermont-Ferrand, Théâtre National de Bretagne (Rennes), Théâtre du Nord CDN Lille-Tourcoing-Hauts de France, La Criée Théâtre National de Marseille, ThéâtredelaCité CDN Toulouse-Occitanie, Festival d’Avignon, Le Parvis Scène Nationale Tarbes-Pyrénées, Scène nationale du Sud-Aquitain, l’Équinoxe Scène nationale de Châteauroux, Théâtre National de Strasbourg, Maison de la Culture d’Amiens Pôle International de Production et de Diffusion, La Comédie de Béthune CDN Hauts-de-France 

With the support of la Fondation d’entreprise Hermès, du Fonds SACD / Ministère de la culture Grandes Formes Théâtre 
The theatre company La femme coupée en deux receives funding from the Ministry of Culture / Hauts-de-France Regional Directorate for Cultural Affairs, under the scheme for state-subsidised companies, and is supported by the Hauts-de-France Region.
With the help of ministère de la Culture 
Acknowledgments Théâtre Ouvert Centre National des Dramaturgies Contemporaines, for its reception at first reading, Lukas Dana, Elsa Provansal, Jules Guittier, Max Beucher and the participants of AFR 109 at Le Quai and the TNB’s ‘Transmission’ masterclass, for their valuable contribution.
Set construction at the workshops of the Nouveau Théâtre Besançon

As a major sponsor of the FabricA du Festival d’Avignon since 2024, the Fonds AXA pour le Progrès humain , alongside Tiago Rodrigues, Director of the Festival d’Avignon, as well as AXA’s general agents and staff, reaffirms its commitment to contemporary artistic creation that promotes intercultural dialogue and engages with society.

A unique space for artistic experimentation situated at the heart of the Cité, the FabricA contributes to the influence of the contemporary arts scene by offering artists a stimulating and innovative workspace. It also serves as a powerful lever for social cohesion, fostering exchanges between communities and, through arts education, raising awareness among younger generations of careers in the performing arts.

A true bridge between culture and society, the FabricA runs workshops and residencies throughout the year for numerous associations supported by the AXA Fund. A prime example is the residency enjoyed by the Maison des Femmes d’Avignon during the 2025 edition, which concretely illustrates the role of art in fostering societal resilience.

Through this support, the Fonds AXA pour le Progrès humain reinforces its role as an incubator for artistic creation and as a committed advocate for a culture that is open, accessible and deeply inclusive.

Go to the AXA website

Practical infos

Audiovisual

And…

La matinale – 6 July

  • Café des idées
With Tiphaine Raffier, Lucie Antunes & Mathilde Monnier, François Gremaud, Carolina Bianchi, Inbo Lee