"Le Cavalier bizarre" and "Les Femmes au tombeau" are published in the collection "Théâtre, tome II", by éditions Gallimard.
The recording of the Orchestre de l’Opéra de Flandre supervised by Étienne Siebens is available at Studio Acoustic Recordings.
By combining two of Michel de Ghelderode's short plays into a single show, Josse de Pauw attempts a reflection, full of humour and of Belgian “absurdism,” on death. A death that has yet to come, as in The Strange Rider, or that has already struck, as in The Women at the Tomb. Moving from a room in a hospice, where six old men are waiting for a watchman to tell them what he sees, to the house of Marie, Jesus's mother, where are gathered, the day after the crucifixion, the women who followed Jesus, Josse de Pauw aims to make us hear the words of Michel de Ghelderode, to whom he feels closely connected. Together with musician and composer Jan Kuijken, he continues his exploration of a musical theatre in which words and notes meld and merge. Their goal is for the music to offer “an almost physical experience to the public.” Whether they use symphonic music to accompany the old men waiting for death or a women's choir in Marie's house, they want the music to always be a counterpoint to Ghelderode's words, to create a sort of dialogue. There's something of the farce, of the burlesque, of the grotesque even, in Ghelderode's plays, so closely tied to Flemish culture. And there's something of the tragedy, too, when his characters hold a mirror to us, reflecting our anxieties when faced with the realities of ageing and death, and our relative indifference to the tragedies that surround us.
Born to a Flemish family, Michel de Ghelderode grew up with an authoritarian father and a superstitious mother. All his schooling was done in French and it is in that language that in 1918, aged only twenty, he wrote his first play. He developed a baroque form of theatre, in which Flemish influences stood alongside those inherited from Antonin Artaud. He wrote more than fifty plays, a testament to his commitment to a new theatre in which puppets and the concept of masquerade play a central part.
Jean-François Perrier, April 2014
Distribution
Direction and adaptation Josse De Pauw Music Jan Kuijken Recording Orchestre de l'Opéra de Flandre sous la direction de Étienne Siebens Scenography Herman Sorgeloos Lighting Enrico Bagnoli Costumes Greta Goiris Voice trainer Steve Dugardin Translation Monique Nagielkopf
With in Le Cavalier bizarre Stef Cafmeyer, Josse De Pauw, Mark De Proost, Philippe Flachet, Pol Steyaert, Freddy Suy
With in Les Femmes au tombeau Ruth Becquart, Reinhilde Decleir, Kristien De Proost, Steve Dugardin (song), Lorenza Goos, Blanka Heirman, Ilse Moors, Els Olaerts, Eva Schram, Iris Van Cauwenbergh
Production
Production LOD théâtre musical Coproduction Les Théâtres de la Ville de Luxembourg, deSingel (Anvers), Opera Vlaanderen, Le Parvis Scène nationale Tarbes-Pyrénées, La Rose des Vents Scène nationale Lille Métropole-Villeneuve d'Ascq, L'Hippodrome (Douai), Le Maillon (Strasbourg), Palais des Beaux-Arts (Charleroi) With the support of Autorités flamandes