Faced with the hold-up on the imaginary carried out by story-fabrication machines set up by the culture industry or the dens of political communication, how can the art of performance resist the new narrative order, at a time when the borders between reality and fiction are being erased? How can the theatre tell stories and invent liberating counter-narrations faced with this new "weapon of mass distraction"?
Distribution
With Wajdi Mouawad director and actor Christian Salmon writer Vincenzo Susca sociologist