Twenty years after the publication of Reine Prat’s first report and ten years after the adoption of the LCAP law, this discussion takes stock of the progress made towards gender equality in the performing arts.
While the proactive policies implemented over the past two decades have led to significant advances in the visibility of women, their representation within certain governing bodies and the institutional recognition of gender equality issues, inequalities persist in access to production resources and leadership positions.
The question is therefore no longer simply whether women are present, but whether, at every stage of their professional careers, they have the same means and opportunities as men to create, lead, produce and pass on their knowledge.
Drawing on the findings of the Reine Prat report, this round table will examine developments over the past twenty years, highlight the mechanisms that continue to generate inequalities, and identify collective proposals that can help shape future public policies and professional strategies.
Distribution
With Reine Prat, author and senior civil servant, Marine Bachelot Nguyen, author, stage director and co-founder of H/F Bretagne, Rebecca Chaillon, stage director, author and performer, Julie Deliquet, stage director and Director of Théâtre de la Colline, Penda Diouf, author and co-founder of the Textes en liberté label, Anne-Claire Gourbier, Chief Executive Officer of the ASTP, Claire Lasne Darcueil, Director of the Conservatoire national supérieur d'art dramatique from 2013 to 2023, Caroline Marcilhac, Director of Théâtre Ouvert, Caroline Guiela Nguyen, author, stage director, filmmaker and Director of the Théâtre National de Strasbourg, Lolita Tergemina, stage director, actor and Director of the CDN de l’Océan Indien, Annemie Vanackere, Director of HAU Hebbel am Ufer (Berlin)
Production
Partnership Syndeac, Onda and Artcena with the ministère de la Culture