The Raft of the Medusa

by Georg Kaiser

  • Theatre
  • Show
The 2016 archive

Thomas Jolly

Strasbourg / Created in 2016

Seven days in the lives of a group of children on a raft who play at becoming adults and reluctantly do, a tragedy at once ancient and so achingly modern.

The Raft of the Medusa © Christophe Raynaud de Lage


Thirteen children on a makeshift raft; thirteen children fleeing the violence of the adults, the violence of war that forced them to leave their country and made them castaways. If Georg Kaiser based his play on a tragic real story from World War II—the torpedoing of a British vessel carrying children to America—it wasn't to do documentary theatre, to work on reality in a world made of fiction, but to delve into the heart of human contradictions. What could be worse than to see children act more and more like the adults they fled? Threatened in their very existence and trying desperately to survive, they will protect themselves by killing one of their own... By choosing this text whose characters are children for the young actors of the École du Théâtre national of Strasbourg, Thomas Jolly started a new collective adventure. “Their energies, their anger, their ideas, their singularities, their desires” are at stake in this claustrophobic play set in the middle of the ocean, and work to denounce the indoctrination tactics that lead to an incredibly violent exclusion mechanism. For after trying to create an egalitarian society based on brotherhood, it will only take those children seven days to slowly slide into barbarism. Seven days in the lives of a group of children on a raft who play at becoming adults and reluctantly do, a tragedy at once ancient and so achingly modern.

Georg Kaiser was probably one of the most celebrated German playwrights of the interwar period, along with Bertolt Brecht and Gerhart Hauptman. Considered a member of the expressionist school, he broke away from it to write two novels, over 45 plays, and philosophical essays. When the Nazis rose to power in 1933, he was denounced as a “degenerate” artist, his works burnt in public; after almost being arrested, he fled to Switzerland, where he continued writing. The Raft of the Medusa was written in 1942. He died in 1945, never having gone back to Germany.


Direction Thomas Jolly
Stage design Heidi Folliet, Cecilia Galli
Lights Laurence Magnée, Sébastien Lemarchand
Music Clément Mirguet
Sound Auréliane Pazzaglia
Costumes, makeup Oria Steenkiste
Props Léa Gabdois-Lamer
Construction Léa Gabdois-Lamer, Marie Bonnemaison, Julie Roëls
Director assistant Mathilde Delahaye, Maëlle Dequiedt
Artistic support Thibaut Fack (stage design), Clément Mirguet (sound) et Antoine Travert (lights)

With the groupe 42 from École supérieure d'art dramatique du Théâtre national de Strasbourg : Youssouf Abi-Ayad, Éléonore Auzou-Connes, Clément Barthelet, Romain Darrieu, Rémi Fortin, Johanna Hess, Emma Liégeois, Thalia Otmanetelba, Romain Pageard, Maud Pougeoise, Blanche Ripoche, Adrien Serre
And alternating with Blaise Desailly and Gaspard Martin-Laprade


Production Théâtre national de Strasbourg in partnership with La Piccola Familia

The Raft of the Medusa by Georg Kaiser, translation Huguette et René Radrizzani, is published by éditions Fourbis. 

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