In this Oratorio in progress, Patrick Kermann plays with death and gives voice to those that are no more. In the graveyard of Moret-sur-Raguse, this funeral procession brings together, with harmony and dissonance, the seemingly-anecdotal personal lives of the dead and the great historical events that concern us all. With the Grim Reaper and the specters it creates, the author wants to draw a space of ceremony where the dead can say what they would be ashamed of saying, what they are obsessed with. And always with exultation. With its twenty performers, Groupe Merci invites us to bear witness to those fragile memories and to wander through the cloister of the graveyard to get as close to the dead as possible, the quirkiness of the confessions always a dizzying reminder that we are alive. Like a kaleidoscope of voices and presences, an emanation of the hereafter and an existential contemplation, this Chewing of the Dead will be exceptionally recreated at dusk in the same location as the 1999 original. An invitation to come hear the memories of those very lively dead.
Patrick Kermann was a French playwright who wrote for the theatre and the opera, and translated Euripides, Seneca, and Thomas Bernhard. He defined his relationship to language as “that of a rhythmic body, a foreign language which doesn’t speak of the world but of its irreconcilable distance from the world.”