What if the discovery of an instrument could change the world of a choreographer? With FUTUR PROCHE, Belgian choreographer Jan Martens operates a shift in his rhythmic dance, accompanied by a contemporary harpsichord. With fifteen dancers from the Opera Ballet Vlaanderen, two children, and Polish harpsichordist Goska Isphording, he invites us to a moving exploration of whether we can change society, bodies, or ways of thinking, in a time of climate crises and pandemics. Through aesthetically varied works, the choreographer plays with the codes of his virtuoso performers by making them experience a true “presence” on stage. If thirty-eight years after welcoming the ballet of the Opéra de Paris in the Cour d’honneur, the Festival d’Avignon once again invites a ballet corps, it is to give Jan Martens the opportunity to showcase, in this great symbolic space, the vision of a world able to transform itself.
Opera Ballet Vlaanderen
The only professional, classically- and academically-trained ballet company in Belgium, the Royal Ballet of Flanders was founded in Antwerp in 1969 by Jeanne Brabants, who directed it until 1984. Several directors succeeded her, including Sidi Larbi Cherkaoui from 2015 to 2022, who opened up the ballet to collaborations with contemporary choreographers after the merging of the ballet with the Royal Flemish Opera under the new name Opera Ballet Vlaanderen.